Seong moy biography of william hamilton

Seong Moy

American painter

Seong Moy

Born()April 12,

near Canton, China

DiedJune 9, () (aged&#;92)

New York City, New York, U.S.

NationalityAmerican
Alma&#;materFederal Art Project, St.

Paul School of Art, Walker Art Center, Art Students League of New York, Hoffman School of Art, Atelier 17, Printmaking Workshop

Known&#;forPrintmaking
MovementAbstract expressionism
PartnerSui Yung

Seong Moy (Chinese: 梅祥; April 12, – June 9, )[1] was an American painter and printmaker.

Biography of william shakespeare A painter and graphic artist, Seong Moy was born in Canton, China, and came to the United States in He studied painting at the Saint Paul School of Minneapolis and then went to New York, where he studied with Vaclav Vytlacil and Hans Hofmann in and

Moy was born in a small town outside of Canton, China; he emigrated to the United States at the age of 10 in , and joined other members of his family who had settled in St. Paul, Minnesota. During this time, Moy attended school during the day, and trained in his uncle's restaurant as an assistant chef when not in school. In , Moy was introduced to art classes at the WPA Federal Art Project School through a friend.

For the next few years, Moy studied art first at the Federal Art Project, and later at the St. Paul School of Art under Cameron Booth, and the WPA Graphic Workshop at the Walker Art Center in Minneapolis, MN.[2] Advisors recognized his talent and permitted him to take more classes while maintaining a job.

In he moved to New York City where he was awarded a scholarship to study at the Art Students League of New York and the Hoffman School of Art. This lasted until the fall of , when he enlisted with the United States Army Air Forces, serving in the China-India-Burma Theater as an aerial reconnaissance photographer with the 14th Air Force, the "Flying Tigers".[2]

After the war Moy married and brought his wife Sui Yung to New York.

He returned to the Art Students League on the G.I. Bill and re-established his relationship with Cameron Booth, who was now teaching in New York.

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    • Moy experimented with printmaking at the Atelier 17 and Robert Blackburn Printmaking Workshop in New York.[2]

    In the s, Moy became a professor, teaching almost forty years at colleges, universities, and institutions:

    • Cooper Union
    • Pratt Graphic Arts Center
    • Columbia University
    • New York University
    • Smith College
    • Vassar College
    • Provincetown, Massachusetts

    In Moy won a Guggenheim Fellowship.[3] His woodcuts from this time are notable in their use of subject matter from Chinese classics, combined with the formal techniques of Abstract Expressionism.

    For example, his woodcut Inscription of T'Chao Pae #II () explores the potential of archaic Chinese calligraphy, illustrating the artist's aim, in his own words, to "recreate in the abstract idiom of contemporary time some of the ideas of ancient Chinese art forms."[4]

    He returned to China at the age of 85, in , with his wife, daughters and grandchildren to the rural villages where he and his wife were born in the s.

    He had a great effect on his family and many who knew him in his life. Moy died in New York on June 9, He was survived by his wife of sixty six years, Sui Yung, his daughters, Jacqueline and Adrienne, and two grandchildren, Eamon and Fiona.

    His work can be found in the permanent collections of a number of museums in the United States, including the Brooklyn Museum,[5]Metropolitan Museum of Art,[6]Museum of Modern Art,[7]Whitney Museum of American Art,[8]Indianapolis Museum of Art,[9]Vero Beach Museum of Art,[10]University of Michigan Museum of Art,[11]Philadelphia Museum of Art,[12]Smithsonian American Art Museum,[13] and National Gallery of Art in Washington, DC.[14]

    Fellowships

    In , Moy attended to the Art Students League in New York by earning a scholarship.

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    • He studied painting and printmaking under Vaclav Vytlacil and Will Barnet. He also won another scholarship to the Hans Hofmann School of Art.[15]

    In , Moy was awarded a fellowship to study printmaking at Stanley William Hayter's legendary Atelier 17 graphic arts studio which is in New York.

    Although it was the ideal environment for Moy, he needed a studio for printmaking. Moy described Atelier 17 as

    “an exchange of points of view, exchange of ideas, what one is trying to do and searching for some newness in technical innovations to fit in with a situation.”

    In : Moy received a Whitney Fellowship, the biggest award of his career.

    Consequently, he was suggested to visit artist position at the University of Minnesota, which is the place that he began to teach. Moy went on to teach at the University of Indiana, Smith, Vassar, and Columbia.

    In , Moy won a Guggenheim Fellowship. His woodcuts from this time are notable in their use of subject matter from Chinese classics, combined with the formal techniques of Abstract Expressionism.

    For example, his woodcut Inscription of T'Chao Pae #II () explores the potential of archaic Chinese calligraphy, illustrating the artist's aim, in his own words, to "recreate in the abstract idiom of contemporary time some of the ideas of ancient Chinese art forms."

    Between and , Moy served as Professor of Art at City College of New York, and as an instructor at the Art Students League teaching for more than twenty years.[16]

    Selected works

    Some of Moy's works can be seen at

    • BLACK SHORE DUNES ca.

      Seong moy biography of william Seong Moy (Chinese: 梅祥; April 12, – June 9, ) [1] was an American painter and printmaker. Moy was born in a small town outside of Canton, China ; he emigrated to the United States at the age of 10 in , and joined other members of his family who had settled in St. Paul, Minnesota.

      brush and ink and ink wash on paper

    • EAST GATES n.d. etching on paper
    • PORTHOLE n.d. etching on paper
    • NUDE #1 pen and ink and ink wash on paper
    • FLOATING ISLAND n.d. color woodcut on paper
    • THE BLACK GATES n.d. etching on paper
    • THE ROYAL FAMILY color woodcut on paper
    • THE YELLOW CHAMBER n.d.

      color woodcut on paper

    • INSCRIPTION OF JO PUA color woodcut on paper
    • URGULL #2 n.d.

      Seong moy biography of william hurt

      Seong Moy (Chinese: 梅祥; April 12, – June 9, ) [1] was an American painter and printmaker. Moy was born in a small town outside of Canton, China; he emigrated to the United States at the age of 10 in , and joined other members of his family who had settled in St. Paul, Minnesota.

      color woodcut on paper

    • YEN SHENG color woodcut on paper
    • SAND PIPERS ca. color woodcut on paper
    • CAPE COD LANDSCAPE &#;ca. brush and ink and ink wash on paper
    • THE WANTON ALCHEMIST #1 color woodcut on paper
    • KUANG KUNG color woodcut on paper
    • SPRING SONG brush and ink and ink wash on paper
    • CAPE POINT n.d.

      color lithograph on paper

    • BLACK STONE AND RED PEBBLE ca. s color woodcut on paper
    • LITTLE ACT ON HORSEBACK color woodcut on paper
    • TIMELESS IMPRINTS color woodcut on paper
    • NASSAU COUNTY #1 color woodcut on paper
    • NUDE #2 pen and ink and ink wash on paper
    • TWO FIGURES pen and ink and ink wash on paper
    • NASSAU COUNTY #2 n.d.

      Seong moy biography of william james: Biography A painter and graphic artist, Seong Moy was born in Canton, China, and came to the United States in He studied painting at the Saint Paul School of Minneapolis and then went to New York, where he studied with Vaclav Vytlacil and Hans Hofmann in and

      color woodcut on paper

    • ROCK GARDEN color woodcut on paper
    • THE COCK FIGHT ink wash on paper
    • NETS ca. ink wash, brush and ink and pastel on paper
    • VIS-A-VIS color woodcut on paper
    • THE COURT OF SILENCES #1 n.d. color woodcut on paper
    • THE COURT OF SILENCE n.d.

      color woodcut on paper

    • WINTER'S PATH color woodcut on paper
    • LILY POND ink wash and pencil on paper
    • COURT OF SILENCE #2 n.d.

      Seong moy biography of william shakespeare Although Mr. Moy was primarily a painter during the post-wars years, he began making prints when he received a fellowship to work at Stanley William Hayter's graphic art workshop, Atelier 17, which had moved to New York in after its founding in Paris in

      color woodcut on paper

    • DANCER IN MOTION color woodcut on paper
    • MOTHER AND CHILD color woodcut on paper
    • NIGHT GLOW n.d. color etching on paper

    References

    Further reading

    • Hallmark, Kara Kelley, Encyclopedia of Asian American Artists, Greenwood Press, ,
    • Wechsler, Jeffrey, ed.

      Asian Traditions Modern Expressions, Harry N. Abrams Inc,

    External links